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As well as the introduction, also included is an English prose translation of all the
Spanish texts.
See the
beginning of the first song.
Sor's songs in Spanish in the seguidillas boleras form are a very
special contribution to Spanish musical culture. They were composed
within that great age of creative art, music, dance and popular
literature which occurred in Spain at the end of the eighteenth and
beginning of the nineteenth centuries. Utterly Spanish in their words,
their wit, their intensely alive musical idiom and their indigenous
dance form the bolero, they shine for us still today.
In 1976 I published twelve of them under the title of Sor's Seguidillas,
which have been widely performed since then. Those twelve were all for
solo voice, some with guitar accompaniment and some with piano.
Now here is a further collection, this time for two or three voices
with guitar or piano, all of them now published for the first time in
our own age, and some of them indeed now newly discovered and
identified. There are 52 pages of music, with an introduction and notes.
MORE DETAILS ABOUT THIS BOOK BELOW.
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The songs are
as follows:
FOR THREE VOICES:
With guitar:
- Mucha tierra he corrido
- Cuando de ti me aparto
- Qué costoso es el logro
- Sin duda que tus ojos
With piano:
- Mucha tierra he corrido
- Cuando de ti me aparto
- Qué costoso es el logro
- Sin duda que tus ojos
- Cuantas naves se han visto
FOR TWO VOICES:
With guitar:
With piano:
- Los canónigos, madre
- No tocarán campanas
- Puede una buena moza
- Me pregunta un amigo
- Lo que no quieras darme
- Me preguntó mi amigo (second setting)
- Facsimile of "Me preguntó mi amigo", in Sor’s
autograph.
At the Darwin Guitar Festival 1999 we gave what was probably the
first modern performance of the first four songs. It turned out that
they are very fine, some of them real Three Tenors stuff. Since then
they have been performed at the New York Festival of Song and elsewhere.
These songs will interest singers looking for new repertory,
especially if they are looking for new Hispanic material. If you know
singers who might like them, do please tell them.
I have made the perhaps unusual decision to make the whole of the
long introduction available here. It contains many details about the
provenance of the songs, their form, and so on. Here then is the whole of the introduction
to Fernando Sor- Seguidillas Book 2.
MAY 2002: I have added notes about
1) whether the Seguidillas
and Seguidillas Book 2 are to be sung by men or by women, and
2) whether the Seguidillas
and Seguidillas Book 2 are best regarded as dance music or not.
"This is a fine publication:
attractive but unknown music is presented with all the information that
one needs" (Early Music Review, February 2000, on More
Seguidillas).
"L'invenzione melodica è ricca di fascino"
("the melodic invention is rich in fascination") (Guitart,
April/June 2000, on More Seguidillas).
Tecla main page.
Copyright 2003 by Tecla Editions. Errors and omissions excepted.
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